A screenwriting workshop, over Zoom, for people who'd rather finish the draft than keep talking about finishing the draft.
You bring an idea, a stalled outline, or a draft you're too close to see clearly anymore. We put it up on the wall — metaphorically, it's Zoom — and spend the next six weeks taking it apart and building it back better. Structure, technique, and the kind of notes that actually tell you what to fix.
Named the way script pages get named when a script is revised: white, blue, pink. Outline, draft, rewrite. Start wherever your project actually lives.
Build a workable outline from scratch — structure, stakes, and the shape of the whole movie before you commit to a single scene. You'll leave with an outline you can actually write from.
Good for: an idea, a logline, three loose acts and a prayer.
Turn your outline — or your nerve — into an actual draft. Weekly pages, weekly feedback, six weeks of forward motion that doesn't stop at the good ideas stage.
Good for: writers who are finally ready to write the thing.
Bring a completed draft and take it apart on purpose: what's working, what's quietly not, and how to rewrite it without burning the whole thing down and starting over.
Good for: a finished script that needs a second, smarter pass.
Brandy Finmark has spent eleven years selling scripts, staffing on shows, and learning — mostly the hard way — what actually gets a draft from "pretty good" to "getting sold." Brandy is a WGA screenwriter and TV writer, and has spent the last eight years teaching the craft to writers who now have reps, sales, and contest placements of their own.
This isn't theory borrowed from a screenwriting book. It's what's worked, what hasn't, and what a room full of honest notes can do for a script that's stuck.
Twelve seats per room, and they tend to go before the six weeks even start. Tell us which room fits your script, and we'll follow up with the current schedule and how to pay.